Gail Ingis (using Beautycounter products)
July 26-29, 2017 Workshops, mentors, pitching editors, publishers and more:
CONFERENCES AND EVENTS
Join 2,000 romance writers and industry professionals from all over the world for RWA2017 in Orlando, Florida, July 26–29, at the Walt Disney World Swan & Dolphin Resort. The four-day conference features nationally recognized speakers, special events, and more than 100 workshops.
CHAPTER CONTESTS, CONFERENCES
Local RWA chapers offer a number of conferences, contests, and workshops. Click below to see the schedule for the coming months.
CONFERENCE AT A GLANCE
- Walt Disney World Swan & Dolphin Resort
- Orlando, Florida
- July 26–29, 2017
The RWA Conference is the place where career-focused romance writers meet, mingle, and get down to the business of being an author. RWA2017 includes over 100 workshops, the “Readers for Life” Literacy Autographing (open to the public); Keynote and featured speakers, book signings, and the RITA and Golden Heart Awards Ceremony.
WHO WILL YOU MEET AT RWA2017?
Maria Connor, my Author Assistant
Here are just a few statistics from past conferences:
- Over 20 countries represented
- More than 800 published authors
- Over 50 agents
- An average of 150 industry professionals
Literacy signing on Saturday, July 29th from 3-5 pm. I’ll be there, with hundreds of authors and Maria Connor, so please stop by. Say hi, and buy my book to help support the Literacy organization. We all donate our books and our time.
Indigo Sky for the reader who enjoys historical romance! @AmazonKindle http://amzn.to/2nWqbcq Indigo Sky available on Amazon buy link: http://amzn.to/2j0LXLE
Author page: http://amzn.to/1K4GVQA
Photo by Imogen
Creativity! Isn’t that what art is? Art comes in millions of variables. Art is everywhere, in nature, in architecture, in human creativity–in a leaf.
Last week, I visited a renowned photography gallery, Gallery270, Englewood, NJ, to view some prints by Imogen Cunningham. The gallery is owned by Tom Gramegna, who also owns Bergen County Camera, Westwood, NJ. His photography exhibitions will enrich you, and perhaps inspire you to make art, collect art, especially photo art.
Photo by Imogen
Imogen Cunningham’s early to mid 20th century photo art is pure, no digital technology to enhance her work. All the enhancements, finishes and spatial concepts were done by her, no tricks. Pure creativity. She knew how to use her medium.
She understood the components of creativity. She knew how to divide space. She knew what would translate into beauty, what we hope for in art. Below is the brief story about this intriguing, creative woman, who, in spite of women barely being recognized professionals in her lifetime, forged ahead in her craft.
Photo by Imogene, Martha Graham (dancer)
Imogen Cunningham (April 12, 1883 – June 23, 1976) was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, known for its dedication to the sharp-focus rendition of simple subjects.
In 1901, at the age of eighteen, Cunningham bought her first camera, a 4×5 inch view camera, via mail order from the American School of Art in Scranton, Pennsylvania. She soon lost interest and sold the camera to a friend.
It wasn’t until 1906, while studying at the University of Washington in Seattle, that she was inspired to take up photography again by an encounter with the work of Gertrude Käsebier. With the help of her chemistry professor, Horace Byers, she began to study the chemistry behind photography and she subsidized her tuition by photographing plants for the botany department.
Cunningham was said to take after her father: “a self-taught freethinker who didn’t confine himself to one profession,” which led Cunningham to experiment freely with cameras, photographic printing techniques and styles.
In 1907, Cunningham graduated from the University of Washington with a degree in chemistry. Her thesis was titled “Modern Processes of Photography.” She focused on a career in photography, and won a fellowship for foreign study.
In 1915, Cunningham married etching artist, printmaker and teacher Roi Partridge. They had three sons. The couple divorced in 1934. A granddaughter, Meg Partridge, has cataloged Cunningham’s work.
As of 1940, Cunningham lived in Oakland, California, though she had studios in various locations in San Francisco. Cunningham continued to take photographs until shortly before her death at age 93 on June 23, 1976, in San Francisco, California.
What form of art/creativity is your preference? Architecture, body art, car art, crochet, dance, Disney art, fashion, floral design, embroidery, furniture, graphic design, hair art, jazz, jewelry, knitting, music, nail art, oil painting, pastels, photography, piano, rap, sculpture, sports movements, voice, writing, watercolor painting? Did I miss your favorite? Fill it in . . .
There’s a new show going up at Gallery270 at 10 North Dean St. Englewood, NJ, tomorrow, April 2nd, 7-9 pm. 201-871-4113. Another brilliant photographer, young and with it! Michael Massaia. See you there?
It is hard to know the best design magazine with so many from which to choose. One of my favorites is Contract.
Harry Bertoia Diamond chair 1952. Steel rod and Naugahyde seat pad. Mfg. Knoll International, USA MOMA
In the current issue, the article by Jan Lakin about the Cranbrook Art Academy and Museum in Bloomfield Hills, Michigan, inspired me to write about the special schooling for designers, among whom are Ray and Charles Eames, Florence Knoll, Harry Bertoia, among many, who were student collaborators with figurehead designer and architect, Eliel Saarinen. Professionals that helped to define art and design for decades.
The Cranbrook Educational Community, a National Historic Landmark, was founded in the early 20th century by newspaper mogul George Gough Booth.
Eliel Saarinen, fresh from Germany and involvement with the Bauhaus, had firm ideas of what an art school must be. He was commissioned to design and then teach at the campus of Cranbrook Educational Community in 1925. According to the article, the Academy is renowned for the masterful campus planning and architecture by Eliel, complete with studios, classrooms, workshops, a library, and art museum-that would foster craft, the intense study of the arts, and a spirit of discovery. The school was intended as an American Equivalent to the early 20th century now defunct Bauhaus in Germany. The Bauhaus (scroll to “Grand Stand” blog) was the icon of art schools followed by Cranbrook.
Saarinen became president of the Cranbrook Academy of Art in 1932. He influenced subsequent furniture design. Saarinen also designed the museum at Cranbrook, now being renovated.
Cranbrook Art Museum - Wikipedia
About Cranbrook Art Museum
Cranbrook Art Museum is a contemporary art museum, and an integral part of Cranbrook Academy of Art, a community of Artists-in-Residence and graduate-level students of art, design and architecture. The Art Museum, which was established in 1930 and opened at its current site in 1942, is Eliel Saarinen’s final masterwork at Cranbrook. Today, the Art Museum presents original exhibitions and educational programming on modern and contemporary architecture, art, and design, as well as traveling exhibitions, films, workshops, travel tours, and lectures by renowned artists, designers, artists, and critics throughout the year. In 2011, the Art Museum completed a three-year $22 million construction project that included both the restoration of the Saarinen-design building and a new state-of-the-art Collections Wing addition. For more information, visit www.cranbrook.edu.
To see the article, click Contract and scroll to see on the left of the page, “Cranbrook Art Museum.”
Next week, we’ll take a look at Eero Saarinen. A powerful influence and world renowned designer and architect, the son of Eliel Saarinen.
Do you believe there is such a thing as “good design?” Do you believe in special schooling to become a designer? If you wanted to be a designer, art, graphic, interior, what considerations would you give to your training? If you hire a designer, do you ask about credentials?