DESIGNER FABRICS YOU CAN’T BUY-UNTIL . . .

DESIGNER FABRICS YOU CAN’T BUY-UNTIL . . .

Clarence House Fabric

Clarence House Fabric

Clarence House is considered one of the foremost style-setters in the decorative fabric industry and is the first choice of many of the world’s top interior designers. Many of their fabrics retail for well over $400 dollars per yard.

Headquartered in New York City’s famed D&D Building, Clarence House has been at the forefront of the decorative fabric industry for over 40 years. They were founded in 1961 by New York designer Robin Roberts, who envisioned a company that would fill a void in the decorative fabric industry, a void that was created by the vast majority fabric companies refusing to take the necessary design risks to move the home decor business forward. Since the very beginning, Roberts has filled Clarence House’s line of decorative fabrics with imported fabrics never before seen in America. It wasn’t long after that that Clarence House decided to get involved in all aspects of the creative process by starting their own in-house design studio and making the now famous Kazumi Yoshida their head art director. To this day Kazumi still controls the evolution of each design from its conception to the finished product.

Clarence House Fabric

Clarence House Fabric

Not long after becoming involved in the decorative fabric industry they were quickly becoming world renowned for their extremely unusual and opulent designs. Although they are most famous for their hand screen-printing of fabrics and wallpapers, Clarence House also offers the highest quality velvets, brocades, damasks, silks, cottons, linens, sheers, trimmings and leathers. Throughout their years in the decorative fabric business they have supplied the fabrics for some of the world’s most famous museums, residences, and historic sites. Their name appears in every issue of any important interior design magazine available– including Architectural Digest, Florida Design, and Veranda.

Ideas for left over fabric

Ideas for left over fabric

With 16 showrooms throughout the United States and additional showrooms in South Africa, Canada, and Australia—Clarence House is on a well-earned course to achieve world-wide design dominance.

Unfortunately, unless you are an Architect or an Interior Designer you cannot buy directly from them.

That is, of course, only true if you don’t know the Design Diva. Having known the people at Clarence House for over 15 years she is able to purchase large amounts of exclusive decorative fabrics from them and bring them to you at extremely discounted prices.

Now isn’t that Divalicious?

Close up for use of leftover fabric-fun

Close up for use of leftover fabric-fun

Designer Fabrics Below Wholesale

The people who run Design Diva Fabrics have been involved in many of the design communities most prestigious organizations for over 30 years. OUR LOVE of interior fabrics fuels us in our worldwide search for the most unusual fabrics and trims available. From the luscious Velvets of Belgium and the magnificent Brocades of Italy to the intricately Hand Embroidered Silks of the Far East, we have it all. And as if that was’nt enough, almost all of our fabrics are normally available exclusively to designers and architects.

Now you would think that the fact that we are able to acquire these fabrics at all would be impressive enough to be our claim to fame, but it’s not. Not only do we get our customers fabrics that are normally not available to them; we get our customers these fabrics for a fraction of the price that a licensed Interior Designer would pay for them.

Have you ever shopped at the D&D Building 979 Third Avenue, NYC?

 

BLUE SKIES SMILING AT ME

BLUE SKIES SMILING AT ME

Lapis lazuli block

The most famous of all color studies are by Johannes Itten in his book, The Art of Color, last printing 1969. My experience, my work, for the last forty years, in interior design, has proven that truth in color exists and persists in Itten’s studies. It doesn’t matter what type of environment, warm and cool colors affect the mood and physiology of a person as well as how an occupant feels in a room, an environment. Itten says in his book, it may seem strange to identify a sensation of temperature with the visual realm of color sensation.

Chartres Cathedral-Virgin and Child. French stained glass-early example c.1194, warm and cool colors juxtaposed.

However, experiments have demonstrated a difference of five to seven degrees in the subjective feeling of heat or cold between a room painted in blue-green and one painted in red-orange. That is, in the blue-green room the occupants felt that 59 degrees was cold, whereas in the red-orange room they did not feel cold until the temperature fell to 52-54 degrees. Objectively, this meant that blue-green slows down the circulation and red-orange stimulates it.

Similar results were obtained in an animal experiment. A racing stable was divided into two sections, the one painted blue, the other red-orange. In the blue section, horses soon quieted down after running, but in the red section they remained hot and restless. It was found that there were no flies in the blue section, and a great many in the red section.

Both experiments illustrate the pertinence of cold-warm contrast to color planning of interiors. The properties of cold and warm color are essential to color therapeutics in hospitals.

Lyonel Feininger “Sailing Boats” Overlapping triangles of color echo the sails of the boats creating a rhythmic pattern and sense of speed and space.

Blue is easy to live with, although not everyone looks good in blue. (Everyone looks good in turquoise) Fair-skinned folks with a pink pallor look good in blue. Blue is the color of the clear sky and the deep sea. Common connotations are Ice, water, sky, sadness, winter, police, royalty, Hanukkah, boys, cold, calm, magic, trueness,

Blue in the ancient world
Blue was a latecomer among colors used in art and decoration. Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple. This is probably due to the perennial difficulty of making good blue dyes and pigments. The earliest known blue dyes were made from plants –

Handspun wool dyed with woad

woad in Europe, indigo in Asia and Africa, while blue pigments were made from minerals, usually either lapis lazuli or azurite.

Lapis lazuli, a semi-precious stone, has been mined in Afghanistan for more than three thousand years, and was exported to all parts of the ancient world. In Iran and Mesopotamia, it was used to make jewelry and vessels. In Egypt, it was used for the eyebrows on the funeral mask of King Tutankhamun (1341-1323 BC).

King Tut Mask with lapis lazuli eyebrows

Blue is the color of light between violet and green on the visible spectrum. Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other colors; Cyan, which is midway on the spectrum between blue and green, and the other blue-greens turquoise, teal, and aquamarine.

Mark Hampton’s blue and white dining room with Portuguese tiles on walls and painted look-alike on cornice and ceiling by painter Robert Jackson

Blues also vary in shade or tint; darker shades of blue contain black or grey, while lighter tints contain white. Darker shades of blue include ultramarine, cobalt blue, navy blue, and Prussian blue; while lighter tints include sky blue, azure, and Egyptian blue (For a more complete list see the List of colors).

The cost of importing lapis lazuli by caravan across the desert from Afghanistan to Egypt was extremely high. Beginning in about 2500 BC, the ancient Egyptians began to produce their own blue pigment known as Egyptian blue, made by grinding silica, lime, copper and alkalai, and heating it to 800 or 900 degrees C. This is considered the first synthetic pigment. Egyptian blue was used to paint wood, papyrus and canvas, and was used to color a glaze to make faiencebeads, inlays, and pots.

Sunflowers in blue vase

It was particularly used in funeral statuary and figurines and in tomb paintings. Blue was a considered a beneficial color which would protect the dead against evil in the afterlife. Blue dye was also used to color the cloth in which mummies were wrapped.

In Egypt, blue was associated with the sky and with divinity. The Egyptian god Amun could make his skin blue so that he could fly, invisible, across the sky. Blue could also protect against evil; many people around the Mediterranean still wear a blue amulet, representing the eye of God, to protect them from misfortune.

Blue glass was manufactured in Mesopotamia and Egypt as early as 2500 BC, using the same copper ingredients as Egyptian blue pigment. They also added cobalt, which produced a deeper blue, the same blue produced in the Middle Ages in the stained glass windows of the cathedrals of Saint-Denis and Chartres.

The Greeks imported indigo dye from India, calling it indikon. They used Egyptian blue in the wall paintings of Knossos, in Crete, (2100 BC). It was not one of the four primary colors for Greek painting described by Pliny the Elder (red, yellow, black and white), but nonetheless it was used as a background color behind the friezes on Greek temples and to color the beards of Greek statues.

The Romans also imported indigo dye, but blue was the color of working class clothing; the nobles and rich wore white, black, red or violet. Blue was considered the color of mourning. It was also considered the color of barbarians; Julius Caesar reported that the Celts and Germans dyed their faces blue to frighten their enemies, and tinted their hair blue when they grew old.

Madison Beach, Connecticut

Artist: Bing Crosby
Song Title: Blue Skies
Writer(s): Conti, Federico/Brew,Ginger

Blue skies smiling at me
Nothing but blue skies do I see
Bluebirds singing a song
Nothing but bluebirds all day long

Never saw the sun shining so bright
Never saw things going so right
Noticing the days hurrying by
When you’re in love, my, how they fly

Blue days, all of them gone
Nothing but blue skies from now on

Blue Serenity

(Blue skies smiling at me
Nothing but blue skies do I see)

Never saw the sun shining so bright
Never saw things going so right
Noticing the days hurrying by
When you’re in love, my, how they fly

Blue days, all of them gone
Nothing but blue skies from now on
Nothing but blue skies from now on

Tough guy image for my writer friends.

Who knows the tune? It may be available for your phone’s ring tone, if you know how to get it.

Do you like blue? Do you wish you could wear blue? Who is this dude with the tough guy image surrounded with blue tones?

I will return Thursday, September 20th after vacation. Tell  you about it then.

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