Last week Jack and Jill were in a muddle with their choice of a dark paint color. To get out of their jam, they called in a professional. They knew the eggplant color had an edge, but they didn’t know how to use it. The designer explained how color, tone and value can work to their advantage. Together they created an environment that fit their lifestyle.
Dark colors, like eggplant, black and rich dark-chocolate brown can be a brilliant backdrop for art, furnishings, upholstery and more . . . simply by contrast and color. You can see how the light colors pop against the dark walls in the picture above. Any room can be painted in dark colors–living rooms, kitchens, bedrooms, bathrooms, family rooms. These dark colors are not new, they have been used forever. Dark wood walls, beams, wood floors and furnishings were all used in the early centuries.
All the paint manufacturers have rich dark colors, Benjamin Moore, Sherwin Williams, Farrow & Ball all make quality paints. Sometimes, although you’ve chosen a dark color, it takes two coats to cover the paint on the walls to get the cover and depth those tones create. So how do you do this? Houzz, a popular site filled with design and decorating information has the answers with pictures: Here’s the link for you.
Last week’s blog talked about tonal distribution, and according to Ethel Rompilla’s and the New York School of Interior Design, Color for Interior Design, tonal distribution is a fundamental principle that goes back to the earliest interiors with the concept of nature’s distribution of tonal values. We feel more comfortable in a room with a light ceiling, medium walls, and dark floors, which parallel the tonal values of the sky, trees and earth. Understanding that, there are numerous variations and exceptions to the theory–like the walls of the black bedroom at Boscotrecase, and the still popular dark wood paneling in traditional rooms seen in the early centuries. In the 1960s to today, we love the variations of the dark walls and lighter floors in contemporary spaces.
This week we are also addressing chromatic distribution. A second general rule follows nature’s distribution of vivid color in its accessories, such as birds and flowers, and is also allied to Munsell’s theory that strong colors should not overpower weaker ones. The guideline states that the largest areas of a room, such as floor, walls and ceiling, should be the most neutral. As size is decreased chromatic value can be increased. Furniture or draperies can be brighter, and small upholstered items or accessories and other accents can be the most chromatic. Many successful interiors break this rule, but you should be aware that there is a chromatic range on walls in which, depending on the light, an intense color can become intolerable.
To be continued . . .
Other news . . . My publisher, Soul Mate Publishing, has blogger hosts C.D. Hersh, featuring my book, Indigo Sky, on their Friday, April 29, 2016 blog. I would be honored if you visit and comment. Here’s the link: http://wp.me/p1tsn7-16j