LA SAGRADA FAMILIA

LA SAGRADA FAMILIA

Antonio Gaudi, unappreciated in his brief life as an architect. His genius gave life to an edifice in Barcelona, never before done . . . anywhere. We were witness to his genius in 2010.

Construction of Sagrada Família commenced in 1882 and Gaudí became involved in 1883, taking over the project and transforming it with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted his last years to the project, and at the time of his death at age 73 in 1926, less than a quarter of the project was complete.

Spires of the church.

Spires of the church.

Sagrada Família’s construction progressed slowly, as it relied on private donations and was interrupted by the Spanish Civil War, only to resume intermittent progress in the 1950s. Construction passed the midpoint in 2010 with some of the project’s greatest challenges remaining and an anticipated completion date of 2026, the centenary of Gaudí’s death.On 19 April 2011, an arsonist started a small fire in the sacristy which forced the evacuation of tourists and construction workers; the sacristy was damaged, and the fire took 45 minutes to contain.

Stained glass windows

Stained glass windows

The stained glass windows were placed perfectly to permit sunlight penetration, spreading colors from the stained glass onto the massive columns.

La Sagrada is an architectural wonder, however, yet unfinished. Worth a trip to Barcelona. Then you can see other works of Gaudi’s architectural ingenuity.

You can purchase your ticket on-line the day before to avoid the long lines and make sure you include a trip up to the top of one of the towers for an amazing view!

For those of you who have been and seen, what details were your favorite?

 

FRENCH FURNITURE FLORALIZED

FRENCH FURNITURE FLORALIZED

Typical chair of the Art Nouveau style

Last week we talked about Antonio Gaudi, Victor Horta  and others. We discussed the  designs they used and implemented based on the twines, florals and curves of nature. The double bench

Gaudi's Art Nouveau double bench

in the blog, and seen here below, was typical of the “Art Nouveau” style and is still being produced today. I mentioned that I sat in the bench in the lobby of the Barcelona Marriott. The seat is ample and comfortable. The back and arms have that parabolic curve that gives the Art Nouveau style its simplicity. There is a simplicity about the style. In this bench, the legs are, however, typically a colonial style, a popular shape, even today, perhaps mimicking the figure of a woman, that is, with some imagination. There is some kind of comfort in things that have soft curves and furniture is not exempt. It was not unusual to combine different styles in one piece of furniture in the 19th century.

The Art Nouveau style was born out of a love for beauty. The curves of the plant were seen in chair legs and chair backs. The flowing line, called the Belgian curve, which is the flat segment of an ellipse, was used for wall openings, furniture supports and furniture forms. After 1900 and the Paris Exposition, the parabolic curve took the place of the ellipse. The curve was used in woodwork, mirror frames, and furniture. The curve is specific to the style, so if you like parabolic curves, you will like this furniture. Although the lines are clean, even with some ornamentation, it has a definite line direction to the style. Unlike Victoriana that had many different lines and ornamentation on one piece of furniture.

Victoriana armchair

I always have fun making comparisons to Victoriana because the style is so pathetically massive and invasive and all made with the machine. Some of my earlier blogs addressed Victoriana. If you were rich, your “stuff” was made by machine, and the more ornamentation it had on one piece, then the richer you appeared. Victoriana tried to copy the Louis XV style, a French classic. But they missed, and instead produced this strange looking furniture.

This is how it goes through the history of furniture, the history of architecture, the history of all things. The pendulum swings back and forth. We try new, then we go back to the old, and end up with the classics.

So, if you compare the Victoriana chair above to the Art Nouveau style, which would you prefer?

Art Nouveau table

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