Architect Henry J Hardenbergh designed The Dakota in1884. A local chap, he was born in New Brunswick, NJ. Schooled at Hasbrouck Institute in Jersey City, and apprenticed in New York from 1865-1870 under Detlef Lienau, architect of Lockwood-Mathews Mansion, Norwalk, CT. The Dakota apartments, a coop, is exclusive to the famous, movie stars, musicians and the wealthy.
The Dakota got its name because the area was remote in relation to the rest of the Island of Manhattan, and more like the remote Dakota Territory, so far west and so far north, as mentioned in Christopher Gray’s book, New York Streetscapes.
The building’s high gables and deep roofs with a profusion of dormers, terracotta spandrels and panels, niches, balconies, and balustrades give it a North German Renaissance character, an echo of a Hanseatic town hall. Nevertheless, its layout and floor plan betray a strong influence of French architectural trends in housing design that had become known in New York in the 1870s. High above the 72nd Street entrance, the figure of a Dakota Indian keeps watch.
The Dakota is square, built around a central courtyard. The arched main entrance is a porte-cochère large enough for the horse-drawn carriages. The area is sheltered from the weather. The general layout of the apartments is in the French style of the period, with all major rooms not only connected to each other, in enfilade, in the traditional way, but also accessible from a hall or corridor, an arrangement that allows a natural migration for guests from one room to another, especially on festive occasions, yet gives service staff discreet separate circulation patterns that offer service access to the main rooms. The principal rooms, such as parlors or the master bedroom, face the street, while the dining room, kitchen, and other auxiliary rooms are oriented toward the courtyard. Apartments thus are aired from two sides, which was a relative novelty in Manhattan at the time. Some of the drawing rooms are 49 ft (15 m) long, and many of the ceilings are 14 ft (4.3 m) high; the floors are inlaid with mahogany, oak, and cherry.
Originally, the Dakota had 65 apartments with four to 20 rooms, no two being alike. The apartments all look out onto an open courtyard as depicted here in this photo. These apartments are accessed by staircases and elevators placed in the four corners of the courtyard. Separate service stairs and elevators serving the kitchens are located in mid-block. Built to cater for the well-to-do, the Dakota featured many amenities and a modern infrastructure that was exceptional for the time. The building has a large dining hall; meals also could be sent up to the apartments by dumbwaiters. Electricity was generated by an in-house power plant and the building has central heating. Beside servant quarters, there was a playroom and a gymnasium under the roof. In later years, these spaces on the tenth floor were converted into apartments for economic reasons. The Dakota property also contained a garden, private croquet lawns, and a tennis court behind the building between 72nd and 73rd Streets.
All apartments were let before the building opened. For the high society of Manhattan, it became fashionable to live in the building, or at least to rent an apartment there as a secondary city residence, and the Dakota’s success prompted the construction of many other luxury apartment buildings in Manhattan.
Wikipedia. Click this for more interesting facts like the famous who lived here, and John Lennon’s murder outside the building in 1980.
Dedicated as a National New York City Landmark in 1969, and in 1976 a National Historic Landmark.
Inspired by the Dakota Building, the Baldwins, a prominent family in my new five book series about four sisters and one brother, were the first tenants in the Sandanko Building, in the late nineteenth century. The remote area appealed to the rich, and has held that reputation since the first occupant to today, both for luxury apartment living and for the convenience of the popular Central Park directly across the street.