“Horrors.” Scarlet said as she turned to her friend with her hand covering her mouth. “Why did Jack and Jill choose those colors?”
“Truth tell, they loved purple and white with yellow accents,” said Sandy.
“But, everything—the walls, ceiling and floor are that deep, dark eggplant, which is too much of a gorgeous color. There’s only white and yellow pillows on the dark purple sofa, why didn’t they ask someone to help?”asked Scarlet.
“Dang, it’s so dark in here, they must be planning a Halloween party. Don’t you think?” asked Sandy.
It happens. You love a color but have no idea how to distribute what you love in your environment.
So . . . Here’s the scoop.
There are basic color schemes that you can pick from. Complementary Scheme, Monochromatic Scheme, Monotone Scheme, Neutral and One-Color Scheme and Analogous Schemes.
There are considerations in choosing. Understand the light in the spaces throughout your home and how the room will be used. What’s your home’s exposure? What is your natural light? You know, the light from outside. Eastern exposure gets the cool morning sun. Western exposure gets the warm afternoon sun. Southern exposure gets the hot sun all day long, even in the winter it’s uncomfortable to have sun beating into your space from sun up to sundown. Northern exposure gets no sun. For example, I built an art studio with three huge windows where the northern light spills into the space. It’s cool and restful, and gives me true interpretation of color for my paintings. It also gives me great light to photograph my work, also great to portrait paint with a live model and set up my own lights.
Of course the amount of natural light in a space depends on the position, number, and size of the windows. Natural light is white. Sunny rooms will be warmer than northern exposure offers. Then of course the windows treatment also affects the light penetration, as well as adjoining buildings, foliage. If natural light is minimal, and you want a cheerful effect, then the principal colors for walls and ceiling should be light in tonal values (usually an 8 or 9 value if possible). See the black and white charts for tonal values. Upholstery materials and color accents may be slightly darker and brighter. Darker tones on the walls (value 4 or less) are possible to use if the character of the room calls for them, but finish in semi-gloss for light reflections that maintain luminosity. If the room lacks natural light, brighter colors will tend to neutralize, toning the colors down. Also be aware that natural light reduces the size of your retina, which darkens and neutralizes the colors.
Fundamental distribution of tonal values; light ceiling, medium walls, and dark floors. What we enjoy in our exterior environment, sky, foliage and earth. Of course there are variations and exceptions. A popular concept in contemporary spaces are dark walls and light floors.
“They should call an interior designer to help them,” said Scarlet.
“I agree, but maybe they are happy. Who is going to tell them?”
“Uh oh, not me.”
“I have an idea,” said Scarlet.
“Let’s have them over for tea and ask if they are happy with their decorating colors. We can say the colors are nice, but don’t you find it too dark?”
“Nice is a poorly chosen adjective.”
Are you inspired?
To be continued . . .